All that said, despite the tremendous amount of buzz this record is getting, I have to admit that it wasn't a win at first listen. Their focus this time around was to write more melodically and somewhat prettier in order to shrug off comparisons with Mastodon, and in this regard I believe they're successful, but honestly, they never needed to fight it. Neither will ever write the other's songs, and Blue Record is no Crack The Skye, as Blood Mountain is no Red Album. I missed the sonic experimentation off that earlier release and find that, while their blending of acoustic interludes among others maintain the sense of something epic, overall, their new spin detracts some from the power of their instrumentalism. And although vocalist John Baizely is certainly a unique screamer, he's not as phenomenal as a singer as he is expressive. The result is a sort of tuneful chanting that nonetheless compliments his minimalist lyrics and fantastic song titles, so I have to say that it did feel as if the band was quite happy to be making a record such as this. It has a natural touch to it.
Baizley also happens to be, in case you didn't know, the guy behind the great cover artwork for Pig Destroyer's Phantom Limb and Darkest Hour's Deliver Us, and of course the artwork for Blue Record features his signature provocative style. Check it:

Clearly he has a great appreciation for madames au naturelle. Like this piece, Blue Record is a beautiful work worth your eye and ear.

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